The Kasenetz-Katz Singing Orchestral Circus with their 1968 No.19 single 'Quick Joey Small' were actually comprised
of 8 groups! These were: Ohio Express and 1910 Fruitgum Company (who both had hits in their own right),
plus Music Explosion, Lt.Garcia's Magic Music Box, Teri Nelson Group, Musical Marching Zoo, JCW Rat Finks
and St.Louis Invisible Marching Band. Their shows were staged as a circus, complete with circus acts!

In 1964 Singles cost 6s 5d (32p) and LPs cost £1-15s-0d (£1.75p)

1962 Record Sales in the UK: 78s 1,944,000 45s 55,239,000

1968 Record Sales in the UK: 78s 206,000 45s 49,161,000 LPs 49,184,000

The best year for singles saw sales of 72,841,000

The Troggs' 'Wild Thing' was produced in one take during 15 spare minutes at the end of a recording session

During October 1969 the same record occupied two chart positions! Je t'aime by Jane Birkin and Serge Gainsbourg
on the Fontana label was banned by The BBC. It was withdrawn and re-released on the Major Minor label while
original copies were still selling like hot cakes in the shops. As a separate release, it had to be logged on the chart.

Finally ( at the moment ), I just thought you'd like to know that the Dave Clark Five generated cash to pay for
an early studio session by Dave Clark doing two days of crashing cars as stunt man in an Adam Faith film!





A Few Notable Dates in the Record Industry 1948 - 1969

The Forties

1948
Dr. Peter Goldmark and William Bachman of the American Columbia Co developed the long playing vinylite 331/3 rpm
microgroove disc in the late 1940s. It was announced to the press at the Waldorf Astoria Hotel in New York on
Friday 26th June 1948 in both 10" and 12" formats. The machines to play them were manufactured by the
Philco Radio and Television Company of Philadelphia

January 1949
RCA announced the first release of 45 rpm 7" vinyl discs which gave the same playing time as the larger 78 rpm discs

June 1949
Columbia issued 7" 331/3 rpm discs with normal-sized centre holes

The Fifties

June 1950
Decca issued the first LPs on the U.K. market, made of 'GEON', a tradename form of vinylite

November 1952
The first singles record chart was produced by the New Musical Express

October 1953
'Optional' removable centres appeared in 45 rpm discs, allowing them
to be used on the 'Victory' autochanger and later on other makes of jukebox

September 1954
'Gruve-Gard' was introduced in America by RCA Victor, where the centre and edge of a disc are thicker
than the playing area, reducing scuff marks during handling and when used in an autochanger

June 1958
First U.K. release of stereo discs made by PYE records

The Sixties

Early in the 60s the 10" record format was dropped by all the major
record companies, leaving the 12" 331/3 rpm and 7" 45 rpm as standards

19th February 1960
EMI's last new coarse-groove 78 rpm record was issued - 'Rule Britannia' / 'Royal Event' by Russ Conway

9th June 1960
Bing Crosby was presented with a platinum disc by the Hollywood Chamber of Commerce for estimated
sales of 200 million records. To that date he had recorded 2600 singles and 125 LPs

February 1961
All EMI 78 rpm discs were deleted with the exception of royal recordings and the
'History of Music in Sound' series. These eventually disappeared on 23rd March 1962

June 1962
DGG ( Deutsche Grammophon Gesellschaft ) merged with Philips on a 50/50 basis, retaining both record labels

1964
Philips introduced the musicassette ( compact cassette )

1965
American Columbia material ( marketed at first by 'Oriole' ) was launched independently in the U.K. on the CBS label.
Because of the still-current use of the trademark 'Columbia' outside of America by EMI, all American Columbia
recordings were exported under the CBS ( Columbia Broadcasting System ) logo

1st July 1965
EMI Records Ltd and The Gramophone Co Ltd merged, trade continuing under the name EMI Records

1966
Raymond M.Dolby opened a laboratory in London to develop and produce his noise reduction system

1968
RCA opened an independent distribution, recording and ( later ) manufacturing operation in the UK as RCA Great Britain Ltd.

Some great reported 'quotes' for you, which come under the general heading of

'I wish I hadn't said that ...'


" The rest of the group is fine but the singer will have to go"

( Eric Easton taking over as The Rolling Stones' manager in 1962 )


"We don't like their sound. Groups of guitars are on the way out"

( Mike Smith, Decca A&R manager, turning The Beatles down in 1962 )


"You ain't goin' nowhere son. You oughta go back to drivin' a truck"

( Jim Denny of The Grand Ole Opry, firing Elvis after just one performance in 1954 )


"She's one of the worst singers I've heard"

(Cilla Black recalls the late Cavern DJ Bob Wooler offering his comment to
John Lennon and Brian Epstein, watching one of her early Cavern performances)








Records  by the B.B.C.

Of course, as the B.B.C. has never admitted to having an official 'banned' list, a more accurate title
for this section would be 'Records the B.B.C. Didn't Play A Lot For Their Own Reasons' !

And those 'reasons' were many and varied. Curiously though, considering all the protests and such during the period,
not one record was 'banned' for 'political content' during the Sixties, although many have been before and since.
Some of the 'bans' were not total, just restricting daytime play and, in most cases, have subsequently been lifted.
There may have been additional ones locally, or for very limited periods before being modified, as there were
quite a few which would have been 'borderline' on many counts.

Made You - Adam Faith - 1960
Lewdness and sexual content

Tell Laura I Love Her - Ricky Valance - 1960
Explicit death lyrics

Night Of The Vampire - The Moontrekkers - 1961
Too morbid and scary

Tribute To Buddy Holly - Mike Berry and The Outlaws - 1961
Morbid concern for the dead

Hall Of The Mountain King - Nero and The Gladiators - 1961
Some dubious reason regarding words in the spoken intro

My Little Ukelele - Joe Brown and The Bruvvers - 1963
The lyrics to this George Formby re-make were considered 'too risque'

The Sect Sing Sick Songs (e.p.) - Downliners Sect - 1965
Morbid and in poor taste (containing 'I Want My Baby Back')

I Can't Control Myself - The Troggs - 1966
Lewdly suggestive sounds by Reg Presley

They're Coming To Take Me Away Ha-Haaaa - Napoleon XIV - 1966
Making fun of mental illness

Jackie - Scott Walker - 1967
References to 'authentic queers'

Let's Spend The Night Together - The Rolling Stones - 1967
Alleged to promote promiscuity

It Would Be So Nice - Pink Floyd - 1968
For advertising ('Evening Standard was eventually changed to 'Daily Standard')
It is worth noting that many song lyrics have been 'bleeped' or slightly modified over the years to gain airtime

Je T'Aime (Moi Non Plus) - Jane Birkin and Serge Gainsbourg - 1969 (also 1974!)
Suggestive sounds and dubious colloquial expressions (although in French!)
This song was played on TOTP, but only an instrumental version by 'Sounds Nice'

Wet Dream - Max Romeo - 1969
I think this one is possibly self-explanatory!







The Christmas Number Ones