Sixties City presents a wide-ranging series of articles on all aspects of the Sixties, penned by the creator of the iconic 60s music paper Mersey Beat
Johnny Cash was appearing on a show with Carl Perkins in Amory, Mississippi,
in the autumn of 1955 he suggested to Carl that he write a song based on
a phrase he’d heard during his spell in the Air Force. He said that he’d
met an airman, C.V. White who, after getting dressed up to go out, told
him, “Just don’t step on my blue suede shoes.” Coincidentally, only a few
days later when Carl was performing in Jackson, Tennessee he saw a dancer
trying to keep his girl friend away from his blue suede shoes. He awoke
at three o'clock in the morning the next day with the idea for the song
in his head and he rushed downstairs to write out the lyrics using a pencil
on an empty potato bag. At the time he spelt ‘suede’ as ‘swaed’.
By December of that year Carl had been working on the song with his brothers and they decided to audition for Sam Phillips of Sun Records. Philips considered ‘Blue Suede Shoes’ to be a sample of ‘hillbilly bop,’ but since the studio had lost Elvis Presley, he decided to give Perkins a chance and recorded three cuts on tape. When Carl sang “three to get ready, now go boy go!’ Phillips suggested he change it to “go cat go.’” The phrase ‘drink my corn’ was also changed to ‘drink my liquor.’
The first few lines of the song were also based on a classic children's rhyme: "One for the money, two for the show, three to get ready".
During the session a number of other Perkins songs were recorded: ‘Sure to Fall’, with his brother Jay taking the lead, ‘Tennessee’ on which Jay joined Carl on the chorus, and ‘Honey Don’t.’ Phillips decided to master two singles from the sessions, one with ‘Blue Suede Shoes’ under Carl’s name, the other coupling ‘Sure to Fall’ and ‘Tennessee’ under the name the Perkins Brothers Band. He then sent acetates of the numbers to some local radio stations who confirmed that ‘Blue Suede’ Shoes’ was the number to run with, so ‘Blue Suede Shoes’ c/w ‘Honey Don’t’ was released on 1st January 1956 and ‘Sure to Fall’ c/w ‘Tennessee’ was held back. By 11th February it had entered the Memphis Country charts at No.2, rising to No.1 the following week, where it remained for three months.The record began to sell in huge quantities in the South and a number of cover versions began to appear, the first by Pee Wee King who Carl had given a pre-release tape to. Other versions were quickly rushed out, including those by Boyd Bennett, Bob Roubian with Cliffies Stones Orchestra, Sid King, Lawrence Welk, Roy Hall, Sam Taylor and Jim Lowe.
|Bill Harry attended the Liverpool College of Art with Stuart Sutcliffe and John Lennon and made the arrangements for Brian Epstein to visit The Cavern, where he saw The Beatles for the first time. Bill was a member of 'The Dissenters' and the founder and editor of 'Mersey Beat', the iconic weekly music newspaper that documented the early Sixties music scene in the Liverpool area and is possibly best known for being the first periodical to feature a local band called 'The Beatles'. He has worked as a high powered publicist, doing PR for acts such as Suzi Quatro, Free, The Arrows and Hot Chocolate and has managed press campaigns for record labels such as CBS, EMI, Polydor. Bill is the critically acclaimed author of a large number of books about The Beatles and the 60s era including 'The Beatles Who's Who', 'The Best Years of the Beatles' and the Fab Four's 'Encyclopedia' series. He has appeared on 'Good Morning America' and has received a Gold Award from the British Academy of Songwriters, Composers and Authors.|
Article Bill Harry 2012 Original Graphics SixtiesCity 2012
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